[…] Peculiar, surprising, evocative and very well-conceived, the performance .h.g. portrays inner landscapes and evokes childhood places succeeding in taking those who experience it back in time. It does so in a quite unique way, through an audio guide that leads the spectator, alone, barefoot, through a labyrinth of tiny rooms bordered by black cloth walls, while the narrating voice pours into the ears of a surprised visitor – who soon becomes her accomplice and travelling companion – her fears and misgivings, but also her sense of peace and melancholy before certain landscapes and memories of past experiences. Thus, little by little, without realising it, the spectator becomes the protagonist of the story.

Børneteateravisen (Denmark)

Trickster-p

Common land

What then is time? If no one asks me, I know; if I wish to explain it to him who asks, I do not know.

The game

The world as we have created it is a process of our thinking. It cannot be changed without changing our thinking.

Eutopia

The stories of the Earth have changed in nature and scale: we do not write stories to tell about the creation or the course of the world, but to avert its end.

Book is a Book is a Book

Ts'ui Pen must have said once: I am withdrawing to write a book. And another time: I am withdrawing to construct a labyrinth. Every one imagined two works; to no one did it occurred that the book and the maze were one and the same thing.

Nettles

At what age does one stop being an orphan? Who loses the father, let’s say at sixty, can he be defined an orphan? At ten yes – but at forty? (...)

Twilight

Choreography for the dying light

Sights

We met blind people. Some were born blind, others lost their sight over time. We asked them to tell us how they see

B

Room by room audio journey around the fairytale Snow White

.h.g.

Installation in 9 rooms, one prologue and one epilogue