[…] Twilight, choreography for the dying light could be described as a joyful hymn to light, but only at a superficial glance, the installation is actually a meticulous work on the theme of transition or gradation. There are two protagonists: on the one hand light, brought into being by the light bulbs in the back of the room and those hanging from the ceiling, and on the other its exact opposite, darkness. The audience finds themself immersed in a post atomic landscape that shows the disintegration of every human presence, finding in the dialogue between light and shadow the only possible form of life. A minimised life in search of an existential horizon on that invisible thread that separates existence and non-existence. A life, in short, that one step further would be non-life, not light: darkness.

Azione (Switzerland)

Trickster-p

Common land

What then is time? If no one asks me, I know; if I wish to explain it to him who asks, I do not know.

The game

The world as we have created it is a process of our thinking. It cannot be changed without changing our thinking.

Eutopia

The stories of the Earth have changed in nature and scale: we do not write stories to tell about the creation or the course of the world, but to avert its end.

Book is a Book is a Book

Ts'ui Pen must have said once: I am withdrawing to write a book. And another time: I am withdrawing to construct a labyrinth. Every one imagined two works; to no one did it occurred that the book and the maze were one and the same thing.

Nettles

At what age does one stop being an orphan? Who loses the father, let’s say at sixty, can he be defined an orphan? At ten yes – but at forty? (...)

Twilight

Choreography for the dying light

Sights

We met blind people. Some were born blind, others lost their sight over time. We asked them to tell us how they see

B

Room by room audio journey around the fairytale Snow White

.h.g.

Installation in 9 rooms, one prologue and one epilogue