[…] The spectators of Eutopia suddenly feel like astronauts because they are driven to abandon the anthropocentric conception of the Earth and adopt innovative points of view of their surroundings, which also take into account the indispensable needs of all other living species, not just humans. The result is an articulated scenic ecosystem that, alongside the specific features of the device, combines those of game design up to the creation of a real soundscapes. The spectator thus crosses hybrid but deeply entangled landscapes, the material space of the game board, the digital and the sound space. So-called blended spaces, designed to seal the heterogeneity of the exploratory path.

Volksblatt (Liechtenstein)

Trickster-p

Eutopia

The stories of the Earth have changed in nature and scale: we do not write stories to tell about the creation or the course of the world, but to avert its end.

Book is a Book is a Book

Ts'ui Pen must have said once: I am withdrawing to write a book. And another time: I am withdrawing to construct a labyrinth. Every one imagined two works; to no one did it occurred that the book and the maze were one and the same thing.

Twilight

Choreography for the dying light

Sights

We met blind people. Some were born blind, others lost their sight over time. We asked them to tell us how they see

B

Room by room audio journey around the fairy tale Snow White

.h.g.

Installation in 9 rooms, one prologue and one epilogue

Estado vegetal

Trickster-p — Projects — Estado vegetal

Launched in spring 2021 by LAC Lugano, the project Lingua Madre investigates topics related to language in its wider sense through video, audio and textual productions. In this framework Cristina Galbiati has been invited to create an audio version of the play Estado vegetal in which Manuela Infante – one of the most compelling voices of the contemporary South American dramaturgy – engages with the thought of the philosopher Michael Marder and the plant neurobiologist Stefano Mancuso to propose a radical change of perspective that reverses the anthropocentric logic, putting plants at the centre, along with their intelligence and their complex communication system. The version created by Cristina Galbiati invites the audience to immerse themselves in nature for a listening experience in which the relation between time, movement and stasis becomes crucial.
More information available in Italian

Credits

Translation, adaptation and direction

Cristina Galbiati

Voice

Ruggiero Dondi

With the participation of

Amelia Nesa

Sound space

Zeno Gabaglio

Mastering

Lara Persia – Lemura Recording Studio

Sound engeeners

Brian Burgan and Lorenzo Sedili, LAC

Production

LAC Lugano Arte e Cultura