Trickster-p & Quarantasettezeroquattro
Common land
What then is time? If no one asks me, I know; if I wish to explain it to him who asks, I do not know.
The game
The world as we have created it is a process of our thinking. It cannot be changed without changing our thinking.
Eutopia
The stories of the Earth have changed in nature and scale: we do not write stories to tell about the creation or the course of the world, but to avert its end.
Book is a Book is a Book
Ts'ui Pen must have said once: I am withdrawing to write a book. And another time: I am withdrawing to construct a labyrinth. Every one imagined two works; to no one did it occurred that the book and the maze were one and the same thing.
Nettles
At what age does one stop being an orphan? Who loses the father, let’s say at sixty, can he be defined an orphan? At ten yes – but at forty? (...)
Twilight
Choreography for the dying light
Sights
We met blind people. Some were born blind, others lost their sight over time. We asked them to tell us how they see
B
Room by room audio journey around the fairytale Snow White
.h.g.
Installation in 9 rooms, one prologue and one epilogue
French line
Trickster-p — Projects — French line
Conceived by Trickster-p for Go!2025 – Nova Gorica and Gorizia European Capital of Culture, the performance draws inspiration on a historical event that deeply shaped the region of Gorizia: the border line established in February 1947 by the victors of World War II, dividing Italy from Yugoslavia. "French line" was the notice many local people found on signs marking this new boundary, which cut through their streets, fields, and yards, turning Gorizia into a border town in every respect. Created in collaboration with Quarantasettezeroquattro (Italy), the project breaks away from traditional theatrical spaces to take place in domestic settings, where small groups of spectators are immersed in a participatory experience. At the heart of the work are historical testimonies and archival materials—letters, objects, documents, oral accounts—which become tools to explore how personal and collective memory shapes our perception of the present and the construction of individual identity. French line investigates borders not only as geographical or political divisions, but as symbolic and inner spaces—places that influence how we see ourselves, the 'others', and the world around us.
Credits
A performance by
Concept and realization
Cristina Galbiati, Ilija Luginbühl
In collaboration with
Gioele Peressini
Historical research
Alessandro Cattunar, Kaja Širok
Sound space
Zeno Gabaglio
Graphic design and design consultants
Studio CCRZ
Production
Quarantasettezeroquattro
Supported by
Regione Friuli Venezia Giulia